I am not — nor have I ever been — a rabid (or even passive) fan of the '80s hair band Poison.
Photo Credit: VH1It doesn't get more trash-tastic than "Rock of Love with Bret Michaels."
As a matter of fact, for many years I was embarrassed to admit that I
owned a copy of their album "Flesh & Blood." (I would have sold the
darn thing at a garage sale or on eBay, but then that would've meant
kissing my blessed anonymity goodbye.) And I most certainly will never
cop to attending a Poison show at Continental Airlines Arena on Nov.
18, 1990. Please. I was there to see Warrant, hello!It
is with similar sheepishness that I acknowledge my complete addiction
to VH1's latest "celebreality" show, "Rock of Love with Bret Michaels."
And once I begin describing the program, you'll know exactly why I've
been hesitant to say anything at all.
The premise is simple:
completely rip off VH1's hit, "Flavor of Love," insert Poison frontman
Bret Michaels in his stead and replace Flavor Flav's hip-hop loving
trashy contestants with rocker-chick trashy contestants, all of whom
are bitterly fighting to win Bret's heart. Place them in a California
mansion, add plenty of booze and stir.
Ta-da!
I know, it
sounds like a recipe for disaster and boredom. The thing is, though,
it's not. Quite the contrary, actually. Sure, every episode is full of
women degrading themselves by fighting each other for Bret's
affections, getting sloppy drunk all over the place, and fulfilling
every single preconceived stereotype about tattooed, hard-rock chicks
with big hair and lots of makeup. And believe me, with the exception of
one or two, they absolutely do. Yet every week, I find myself looking
forward to each new episode.
My favorite thus far is the third
episode, which features a motocross competition. Motocross, you see, is
one of Bret's favorite hobbies. (Yes, we're talking about a 44-year-old
father of two. Can you say "arrested development"?) It is Bret's
sincere hope that whomever he ultimately chooses will share many of his
interests, including riding hell-bent for leather across a course made
up of lots of mounds of dirt.
What a romantic!
Needless to
say, when they begin to race, many of the women don't do very well.
Fuschia-haired animal-lover Lacey barely gets out of the gate when her
bike stalls out. Fur-and-leather loving Dallas has even worse luck,
gunning the engine so much that she crashes and burns, literally.
Bret's concern that Dallas may actually be dead is touching (not).
Meanwhile, the rest of the girls cackle and chortle and curse their way
to the finish line.
I don't care what the rest of them say, none
of these women are as happy to spend time with Bret as Rodeo. Yes, her
real name is Cindy, but why would she stick with such a dull moniker,
especially when she's a Southern gal in a cowboy hat? Rodeo, who
appears to be closest in age to Bret, is clearly ga-ga over him. Plus,
they have ever so much in common, since she's the mother of a
7-year-old boy and Bret has two young daughters (here's hoping they
never see their father swapping spit with some of these women). Plus,
they're both overly fond of cowboy hats (of course, Bret probably dons
his in an attempt to hide is bad hair weave, but hey, that's just my
guess). Alas, Rodeo is not longed for the rocker world. By the fourth
episode, she has a breakdown over missing her little boy, and Bret
makes the painful decision to send her packing. C'mon. Like she ever
really, seriously stood a chance against these young blonde things.
Rodeo's
crying jags and crazy laughter are just the tip of the iceberg with
this bunch. I also love to hate Brandi C., a recently eliminated, daft
young'un who constantly refers to Bret as "my boyfriend" and feigns
sensitivity when another girl calls her face "meth-scarred"; the
aforementioned Lacey, who instigates fights with others in order to get
them eliminated, and Heather, the boob-implanted stripper who cattily
makes fun of Erin the Hooter girl for her "circus boobs." Am I the only
one to see the irony of one boob-implant recipient calling out another
boob-implant recipient?
I don't hate so much as pity Tiffany, the
drunken train wreck who, whenever struggling for words to mumble, falls
back on her tried-but-true "Don't threaten me with a good time!" (Bret
apparently tired of that line, too, and sent her home.) I don't find
Erin entirely unlikable, but just like Bret, I find it hard to focus on
her face. Magdalena the Amazon is pretty in an exotic way, but her
disconcertingly deep voice distracts me — and Bret, no doubt — from the
bigger picture. Of the entire bunch, the only one I'm truly rooting for
is quiet, introspective Sam, who spends much of her time questioning
Bret's sincerity as the rest drink themselves into oblivion.
The
main reason "Rock of Love" works is simple: Bret is in on the joke.
He's totally aware of his own superficiality and shallowness, as well
as the women's stupidity and willingness to completely debase
themselves for 15 minutes of fame. He also knows they may not be
interested in him in the slightest. But he plays off of that, and pokes
fun at himself as well as them. In fact, while pondering whether or not
to banish Lacey from the house, he says, "She'll either make passionate
love to me or stab me while I'm sleeping."
I've barely scratched
the surface of this trash-tastic extravaganza — the fifth episode of
the 10-episode series airs tonight at 9 — and I'm already gunning for
more. Right now I content myself with catching reruns as VH1 airs them.
But what will I do when it's all over?
I don't even want to think about it.